Preston Lauterbach has long since made a place for himself as the most valuable chronicler of African-American music as a fulcrum and a center of American culture. But here, with astonishingly detailed and serpentine storytelling, with no road of intellectual inquiry ever closed, he has outdone himself. And with humor, the cool eye of a hanging judge, and the flair of a dancer, he has lifted his ongoing argument to the realm of Mark Twain, Damon Runyon, Chester Himes, and Percival Everett.―Greil Marcus, author of "Mystery Train," "Lipstick Traces," and "Folk Music"